Discourse on Gender Nature of Violence and Ethno-Religious Identities in the film "Khamosh Pani" in the Wake of Subcontinent Partition-1947

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Mubeen
Sumbal
Adnan Ashraf
Samira Muzaffar

Abstract

The article explores the themes of gendered violence and ethno-religious identities in the film "Khamosh Pani" (Silent Waters), a pivotal narrative from 1947 when British India was divided into two independent dominions. It highlights the film's profound impact on individuals and communities, particularly women's traumatic experiences. The article also highlights the historical context of the partition, emphasizing its effects on gender dynamics and ethno-religious identities. The film presents various forms of gendered violence, such as physical abuse, sexual abduction, and psychological trauma, and the motivations behind these acts. It also discusses how the partition of India influenced the construction and reinforcement of ethno-religious identities, leading to increased divisions and conflicts within communities. The article also examines how gender violence became a tool for asserting power within these fragmented societies. The article highlights the agency and resistance of women in "Khamosh Pani" as they navigate and challenge the oppressive environment created by the partition. It calls for further research, awareness, and action to address these issues in contemporary society. The film serves as a catalyst for dialogue and social change, aiming to promote a more inclusive and equitable society.

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How to Cite
Mubeen, Sumbal, Adnan Ashraf, & Samira Muzaffar. (2023). Discourse on Gender Nature of Violence and Ethno-Religious Identities in the film "Khamosh Pani" in the Wake of Subcontinent Partition-1947. INTERNATIONAL JOURNAL OF HUMAN AND SOCIETY, 3(4), 391-400. Retrieved from http://www.ijhs.com.pk/index.php/IJHS/article/view/343
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